![]() Knowing that even those words can get overwhelming and technical, Nolan went a step further: In an exclusive interview with The Associated Press, he offered a guide to his favorite formats, explaining why it matters and even where he likes to sit so that audiences don’t feel like they need a film school degree (or one in theoretical physics) before settling on a theater. That’s part of the reason why Universal Pictures has made “Oppenheimer” tickets available early for over a thousand “premium large format” (or PLF) screens, with options including IMAX 70mm, 70mm, IMAX digital, 35mm, Dolby Cinema and more. But not all big screens are created equal. Despite the wealth of material I also felt that the three-hour running time was just too long leaving this to drag more than a little.It’s no secret that Christopher Nolan made “Oppenheimer” to be seen on the big screen. Jason and Astin are okay as the leads, but upstaged by supporting players like Tim Curry and David Bradley. The humorous one-liners come regularly but somehow they're blunter than they were on the page, and at times I felt like I was watching an amateur dramatics adaptation. There's a sense of everybody going through the motions rather than anyone really shining, and the script is perfunctory at best. It's an all-star ensemble piece, packed to the rafters with magical effects with the aid of a copious CGI budget, but the truth is that there's something missing here.And it's the lack of magic which comes as a real surprise. This one goes right back to the beginning and features David Jason playing Rincewind the Wizard and Sean Astin as Twoflower the tourist. THE COLOUR OF MAGIC is the second of Sky's two-part miniseries adaptations of Terry Pratchett's Discworld series, following on from THE HOGFATHER.
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